Man & Ewe On Park Bench

1982

Photo by Ronnie Bennett  (Click to enlarge) Photo by Ronnie Bennett  (Click to enlarge) Photo by Ronnie Bennett  (Click to enlarge) Photo by Ronnie Bennett  (Click to enlarge)

Man & Ewe On Park Bench

Two individuals co-exist on the bench.

Cast Re-inforced Concrete & Ferro-Cement


As with most of Sioban's public sculpture, the MAN & EWE invites involvement.

Reflecting an unaccountable Britishness, it affectionately describes an attitude of quiet respect and dignity. The aloofness of both the sheep and the man - clearly equal in status - brings a smile. Their relationship, however, can be thought provoking.

Her first public commission, the MAN & EWE has proved a great success, drawing visitors on a daily basis from all over the country. Besides the intrigue of the piece, and its popularity, it was a technical challenge. The restrictions imposed by the budget, led to the development of advanced techniques for the use of Ferro-cement and to the use of very high spec re-inforced concrete practices. At the time it gained a number of accolades from the world of engineering for work in this field.

The MAN & EWE ON A PARK BENCH has appeared widely in publications, including Ernst Gombrich's latest collection of essays: 'The Uses of Images'. The Italian publisher's used the MAN & EWE' for their cover.